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Cosby's day of reckoning comes after 3-year sex assault case

Bill Cosby faces a good chance of being sent to prison Tuesday when a judge is expected to sentence the TV star who was convicted of drugging and sexually assaulting a woman.

The once-beloved actor and comedian, dubbed "America's Dad" for his role as Dr. Cliff Huxtable on the top-ranked, 1980s-era "Cosby Show," faces anything from probation to 10 years in prison for drugging and molesting Andrea Constand, a Temple University basketball administrator, at his estate near Philadelphia. She went to police a year later, only to have a prosecutor turn down the case.

In the years since Constand first went to police in 2005, more than 60 women have accused Cosby of sexual misconduct, though none of those claims have led to criminal charges.

Cosby, 81, is the first celebrity of the #MeToo era to go on trial, and the first to be convicted.

It's a reckoning that accusers and prosecutors say has been decades in the making.

"The victims cannot be un-raped. Unfortunately, all we can do is hold the perpetrator accountable," said Gianna Constand, the trial victim's mother, who testified Monday that her daughter's buoyant personality was forever changed after the attack.

The hearing is set to conclude Tuesday after testimony from a defense psychologist who believes Cosby is no longer a danger, given his age, and should not be branded a "sexually violent predator."

Defense lawyer Joseph Green Jr. urged the judge ignore the protests and activism surrounding the case, and send Cosby home on house arrest.

"The suggestion that Mr. Cosby is dangerous is not supported by anything other than the frenzy," Green said, as demonstrators gathered outside the suburban Philadelphia courthouse.

Being labeled a sexually violent predator would make him subject to mandatory lifetime counseling and community notification of his whereabouts.

On Monday, Kristen Dudley, a psychologist for the state of Pennsylvania, testified that Cosby fits the criteria for a sexually violent predator, showing signs of a mental disorder that involves an uncontrollable urge to have non-consensual sex with young women.

Montgomery County District Attorney Kevin Steele said Cosby would no doubt commit similar crimes if given the chance, warning that the former TV star seemingly gets a sexual thrill out of slipping women drugs and assaulting them.

"To say that he's too old to do that — to say that he should get a pass, because it's taken this long to catch up to what he's done?" Steele said, his voice rising. "What they're asking for is a 'get out of jail free' card."

Cosby, he said, has shown repeatedly that he feels no remorse over his actions. And he said the sentence should send a message to others.

"Despite bullying tactics, despite PR teams and other folks trying to change the optics, as one lawyer for the defense put it, the bottom line is that nobody's above the law. Nobody," the district attorney said.

He urged a five- to 10-year prison sentence.

After testifying for several hours at two trials, the first of which ended in a hung jury, Constand spoke in court Monday for just two minutes.

"The jury heard me. Mr. Cosby heard me. Now all I am asking for is justice as the court sees fit," said Andrea Constand, who submitted a much longer victim-impact statement that wasn't read in court.

The AP does not typically identify people who say they are victims of sexual assault unless they come forward publicly, which Constand and other accusers have done.

Monday's proceedings took place as another extraordinary #MeToo drama continued to unfold on Capitol Hill, where Supreme Court nominee Brett Kavanaugh faces allegations of sexual misconduct from more than three decades ago.

Cosby's side didn't call any character witnesses and his wife of 54 years, Camille, was not in court.

Cosby became the first black actor to star in a prime-time TV show, "I Spy," in 1965. He remained a Hollywood A-lister for much of the next half-century.

The 81-year-old will also have the opportunity to speak in court Tuesday before he's sentenced.


Associated Press reporter Claudia Lauer in Norristown contributed to this story.

Lawyer: Mental illness led to Fyre Festival promoter's crime

A lawyer says mental illness caused the promoter of a failed music festival to rip off investors and commit other crimes.

Attorney Randall Jackson urged a Manhattan judge Friday to be lenient at Billy McFarland's October sentencing.

McFarland pleaded guilty earlier this year to defrauding investors in the 2017 Fyre Festival in the Bahamas and cheating customers in a ticket scam. Without leniency, he faces over a decade in prison.

Jackson cited a psychological report saying McFarland has Bipolar Related Disorder and may sometimes have "delusional beliefs of having special and unique talents that will lead to fame and fortune."

McFarland earned tabloid headlines after fraudulently enlisting 80 investors to pour $26 million into a festival promoted as "the cultural experience of the decade." The festival was canceled.

Six Flags offers $300 for spending 30 hours in coffin

In the 1942 film “The Corpse Vanishes,” actor Bela Lugosi explains that he finds a coffin “much more comfortable than a bed.”

>> Read more trending news 

Six Flags St. Louis is seeking people who find lying in coffins within their comfort level. The Missouri theme park announced on its website Friday that to celebrate the 30th year of Fright Fest, it will host a 30-Hour Coffin Challenge.

Six contestants will be chosen to spend 30 hours in “deluxe,” “slightly used” coffins measuring 2 feet wide by 7 feet long, the Post-Dispatch reported. Hours of repose will be from 1 p.m. Saturday, Oct. 13, until 7 p.m. Sunday, Oct. 14, at the park.

Contestants will be allowed to bring a friend, the park said on its website, but only during Fright Fest operating hours. After hours -- from midnight Saturday until noon Sunday -- they will be on their own, but “some of our Fright Fest Freaks will be lurking about in the darkness.”

There will be six-minute bathroom breaks every hour, but a contestant will be eliminated from the competition if he or she gets out of the coffin.

Park officials did not specify whether this is an open or closed casket competition, but for health (and liability) reasons, we’ll assume it’s an open showing.

However, to ensure comfort, contestants are encouraged to bring a pillow and blanket. The park will provide, food, drinks and snacks, and will provide cellphone charging stations to pass the time.

Contestants who make it through the 30 hours will receive two 2019 Gold Season Passes and a Fright Fest Prize Package, which includes tickets to the haunted house and Freak Train. As for the $300 prize, if more than one person makes it through a drawing will be held to award the cash.

But nobody goes home empty-handed. All winners will be allowed to keep the coffin, the park said on its website.

After all, the challenge organizers want their contestants to rest in peace.

Mel Gibson to direct, co-write remake of 'The Wild Bunch'

Mel Gibson will co-write and direct a remake of Sam Peckinpah's classic 1969 Western "The Wild Bunch."

Warner Bros. on Monday confirmed that Gibson will helm the production, with Bryan Bagby to co-write the script with him. It will be Gibson's first time directing since his 2016 World War II drama "Hacksaw Ridge," for which Gibson earned a best directing Oscar nomination.

"Hacksaw Ridge" was nominated for six Academy Awards including best picture. The Oscar reception was seen by some as a comeback for Gibson in Hollywood years after he pleaded no contest in 2011 to spousal battery of his former girlfriend Oksana Grigorieva. In 2006, he went on an anti-Semitic tirade while being arrested on suspicion of drunk driving.

No production start or release date for "The Wild Bunch" was announced. Gibson is first prepping a World War II drama to star Mark Wahlberg.

Box office top 20: 'The House With a Clock' is no. 1

A trio of wide-releases sputtered while the gothic family fantasy "The House With a Clock in Its Walls," starring Jack Black and Cate Blanchett, ticked its way to a weekend-best $26.6 million in ticket sales, according to final box-office figures Monday.

The Universal Pictures release, produced by Steven Spielberg's Amblin Entertainment, exceeded industry expectations on a weekend that was otherwise littered with disappointments.

Amazon Studio's "Life Itself," from "This Is Us" creator Dan Fogelman, bombed with a mere $2.1 million in 2,609 theaters. Sam Levinson's "Assassination Nation," which Neon made the top purchase at January's Sundance Film Festival, debuted with only $1.1 million. And Michael Moore's Donald Trump documentary "Fahrenheit 11/9," from the newly launched Briarcliff Entertainment, opened with $3 million, or about half what was expected.

The top 20 movies at U.S. and Canadian theaters Friday through Sunday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by comScore:

1. "The House With A Clock In Its Walls," Universal, $26,608,020, 3,592 locations, $7,408 average, $26,608,020, 1 Week.

2. "A Simple Favor," Lionsgate, $10,252,206, 3,102 locations, $3,305 average, $32,414,620, 2 Weeks.

3. "The Nun," Warner Bros., $9,965,635, 3,707 locations, $2,688 average, $100,610,942, 3 Weeks.

4. "The Predator," 20th Century Fox, $9,176,459, 4,070 locations, $2,255 average, $40,911,581, 2 Weeks.

5. "Crazy Rich Asians," Warner Bros., $6,346,641, 2,802 locations, $2,265 average, $159,271,124, 6 Weeks.

6. "White Boy Rick," Sony, $4,857,655, 2,504 locations, $1,940 average, $17,268,023, 2 Weeks.

7. "Peppermint," STX Entertainment, $3,684,122, 2,680 locations, $1,375 average, $30,296,681, 3 Weeks.

8. "Fahrenheit 11/9," Briarcliff Entertainment, $3,008,563, 1,719 locations, $1,750 average, $3,008,563, 1 Week.

9. "The Meg," Warner Bros., $2,265,438, 2,003 locations, $1,131 average, $140,438,357, 7 Weeks.

10. "Searching," Sony, $2,150,829, 1,787 locations, $1,204 average, $23,091,173, 5 Weeks.

11. "Life Itself," Amazon Studios, $2,123,463, 2,609 locations, $814 average, $2,123,463, 1 Week.

12. "Unbroken: Path To Redemption," Pure Flix, $1,284,253, 1,484 locations, $865 average, $4,539,775, 2 Weeks.

13. "Mission: Impossible — Fallout," Paramount, $1,162,813, 871 locations, $1,335 average, $218,137,480, 9 Weeks.

14. "Disney's Christopher Robin," Disney, $1,070,226, 1,252 locations, $855 average, $96,906,023, 8 Weeks.

15. "Assassination Nation," Neon Rated, $1,050,021, 1,403 locations, $748 average, $1,050,021, 1 Week.

16. "The Wife," Sony Pictures Classics, $890,350, 469 locations, $1,898 average, $4,891,527, 6 Weeks.

17. "BlacKkKlansman," Focus Features, $647,905, 454 locations, $1,427 average, $47,128,255, 7 Weeks.

18. "Hotel Transylvania 3: Summer Vacation," Sony, $575,995, 518 locations, $1,112 average, $166,052,980, 11 Weeks.

19. "Incredibles 2," Disney, $533,570, 500 locations, $1,067 average, $606,357,928, 15 Weeks.

20. "Alpha," Sony, $377,548, 544 locations, $694 average, $35,200,118, 6 Weeks.

T.I. plans pop-up trap music museum, trap house escape room in Atlanta

To celebrate the 15th anniversary of his album, “Trap Muzik,” rapper T.I. is bringing a unique, pop-up trap music museum to the hip-hop capital of the South.

Fader reported that the artist took to Instagram to announce the new project. “I made it a album... but WE MADE IT A GENRE!!!!” he wrote. “This is a celebration of ALL OF OUR CONTRIBUTIONS to the CULTURE WE CALL TRAP MUZIK!!!!”

>> Read more trending news 

The Trap Music Museum doesn’t have a set location just yet, but according to the official website, the venue will also feature an escape room.

Cost of entry for Escape the Trap Room will be $30.

Related: 2 Chainz announces Haunted Pink Trap House

In the museum, attendees will learn about a variety of featured trap artists, including 21 Savage, Future, the late Shawty Lo and more.

Fader reported the museum will open on Sept. 30. Guests can RSVP and get more information, including hours for the museum and escape room, at the Trap Museum website.

Dave Grohl Explains Why Foo Fighters Have Never Played Super Bowl Halftime Show

Frontman had discussions about playing the show in the past, but nothing has come of it.

Continue reading…

Celine Dion ending Las Vegas residency in 2019 

The Celine Dion era of Vegas is ending in 2019.

Billboard reported that the vocalist announced that her “Celine” residency for The Colosseum at Caesars Palace will end next year. The last show date is June 8, after initially being set to end Jan. 20. The last round of shows start Feb. 26.

>> Read more trending news 

“I definitely have mixed emotions about this final run,” Dion said in a statement. “Las Vegas has become my home and performing at the Colosseum at Caesars Palace has been a big part of my life for the past two decades. It’s been an amazing experience and I’m so grateful to all the fans who have come to see us throughout the years. Every show we do at the Colosseum throughout this fall, and right up until the final one, will feel very special.”

Fans can get presale tickets to the final shows Tuesday at 10 a.m. Pacific time. Tickets go on sale to the general public at 10 a.m. Pacific time on Sept. 28.

“Celine” is Dion’s second Vegas residency. It started March 15, 2011. Her first, “A New Day...” started March 25, 2003, and ended Dec. 15, 2007.

NBC's top entertainment executive, Robert Greenblatt, exits

Robert Greenblatt, who has run NBC's entertainment division for nearly eight years and engineered a comeback, said Monday that he is calling it quits and the network named two of his executives to replace him.

George Cheeks and Paul Telegdy were promoted to co-chairmen of NBC Entertainment. Cheeks has been in charge of NBC Universal's cable networks and NBC's late-night programming, while Telegdy has run the broadcaster's non-scripted programming division.

Like all broadcast networks, NBC has been losing viewers in an age when streaming services are ascendant. But under Greenblatt, NBC has improved from a fourth-place network to a solid second behind CBS, and tops among younger viewers.

"I wasn't sure a turnaround was even possible," Greenblatt said in a letter to NBC staff on Monday.

He's spearheaded an effort to bring live musicals to television, from "The Sound of Music" to last year's "Jesus Christ Superstar" concert.

Greenblatt has agreed to continue to work on the musicals and will consult his successors, said Steve Burke, NBC Universal boss.

Greenblatt said it's time to move on to a new challenge, although he hasn't said what that might be.

Dior and Gucci theatrically kick off Paris Fashion Week

Dance and theatricality were at the heart of Paris Fashion Week's first day of spring shows, as American stars Blake Lively and Shailene Woodley gushed over Dior's balletic presentation at the famed Longchamps racecourse. While, Gucci held its evening spectacle at France's answer to Studio 54, the iconic Le Palace — once the club that showcased fashion's most dramatic looks.

Here are some highlights from Monday:


To clouds of falling white petals, dancers clad in patterned bodysuits twisted gracefully to the clicking sound of a metronome.

This season, Dior turned to dance to produce the music and visuals for its spring-summer collection, infused with diaphanous, tulle-rich gowns.

The house enlisted the talents of choreographer Sharon Eyal for a sublime and balletic contemporary dance performance that ran throughout the spring-summer show.

It had the star of "Divergent" and "Big Little Lies," Shailene Woodley, floored.

"You marry dance with fashion and movement and you have a visceral, overwhelming experience," Woodley told The Associated Press.

The runway hall was spacious enough to house the dozen roving dancers thanks to a marquee constructed in the grounds of the historic Longchamps racecourse, which dates to the 19th century and has been the site of some of former Dior designer John Galliano's most memorable couture shows.



As ethereal as a layer of tulle, with the corset replaced by a simple tank top.

That's how the House of Dior described the key idea behind designer Maria Grazia Chiuri's soft and supple 87-piece show in monochrome and nude.

Few risks were taken in this display.

But this didn't matter since the fashion, inspired by a dancer's wardrobe, was primarily aimed at being simple and feminine.

Jumpsuits, straps and cords featured on silhouettes that were either tight on the torso, evoking a leotard, or diaphanous and floaty, channeling a tutu.

Ballet slippers evoked the dance tradition very literally, while open toe heels featured crisscross strapping in a take on a ballerina's shoe.

There was a softness to the entire show, accentuated by the gentle round shoulders that were set off romantically by dappled and misty lighting.



Following on from Gucci's May resort show in The Alyscamps, a famed Roman necropolis near Arles, the Milan-based powerhouse continued its year-long love affair with France by hosting its spring show in Paris, exceptionally.

The one-off venue was carefully chosen: Le Palace, the iconic club-turned-theater that was inaugurated in 1978 by Grace Jones who sang La Vie en Rose atop a pink Harley Davidson.

The opportunity to show in this legendary space wasn't squandered by superlatively flamboyant designer Alessandro Michele.

Actress Salma Hayek stared through opera binoculars at the stage from her balcony seat, as a surreal arthouse film was projected on the stage.

Mid-way through the collection, French-English singer Jane Birkin rose suddenly from one of the seats and began singing, then sat back down.

The colorful and wacky men's and women's looks well captured the exuberance of the place dubbed France's Studio 54. It was once the stomping ground for figures such as Mick Jagger, Andy Warhol and Yves Saint Laurent.

The time dial was set to styles from between 1978 and 1985 — the heyday of the club.

Shades, large hats, oversize beads, sequins and glitter were ubiquitous.

Peaked-shoulder tuxedo jackets in white followed a loose leopard print gown with silver shoes.

Demonstrating that the collection didn't take itself too seriously, at one point a model in a gray tuxedo and sneakers strutted out with a real parrot sitting on her shoulder.

Then, a male model with long '70s hair in a preppy striped knit sweater walked out with nothing but pink briefs on his bottom half.

This was perhaps the only instance in this indulgent collection, when less was more.

It was a sight to match even Grace Jones.



France's luxury giant LVMH has told the AP it will revive the iconic fashion house of Jean Patou.

One of France's most famous couturiers in between the two World Wars, Patou was credited with popularizing the cardigan, inventing the tennis skirt and killing the flapper style. His house was most closely associated with the perfume "Joy," a rival to Chanel's No. 5 as one of the world's most popular fragrances.

For the relaunch, designer Guillaume Henry, who once revived Carven and worked recently at Nina Ricci, has been appointed as artistic director.

It's the latest in a series of iconic French house relaunches in recent years, including Schiaparelli, Courreges and Poiret.



Striped bikinis and giant hessian bags provided the fun at Jacquemus' simple clothes collection.

It was perhaps less fun for the scantily-clad models who braved the cold September weather on the outdoor catwalk in Paris' Italian Embassy.

Loose silhouettes and large hoopla earrings gave the collection a confident swagger — a little like the 28-year-old wunderkind designer Simon Porte Jacquemus himself.

Oversized pieces of draped fabric that descended from the bust to floor, and giant skirt frills that ran diagonally down the body, provided the collection's more creative moments.

The show perhaps lacked the feeling of luxury normally associated with the Paris catwalks, but it felt fresh and youthful.


Thomas Adamson is at

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